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Soft Cell's Musical Force Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond at Leeds during 1977

Dave Ball, one half of the groundbreaking 1980s electronic music duo Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the pair scored a worldwide hit with their version of Gloria Jones' Tainted Love in 1984, and their debut album their initial full-length release is considered a seminal work of synth-pop.

He subsequently formed the innovative techno group The Grid, who achieved chart success with 1994's the hit Swamp Thing.

Ball passed away peacefully in his sleep at his home in London on October 22, just weeks after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

During that show, Ball appeared in a wheelchair, as he had for the last two years, following a period of ill-health.

"I managed to injure myself significantly," he commented in 2023. "I broke spinal bones in my spine and fractured about multiple ribs and broke my wrist."

Following contracting pneumonia and developing blood poisoning, he was put in an medically-induced sleep and remained in hospital for half a year.

However, he had been in "a great place emotionally" over the warmer months, as he was developing a new album with Almond, called Danceteria, which is set for publication in the coming year.

"He was concentrated and so happy with the new album that we literally completed only a few days ago," said the vocalist in a heartfelt message.
"It's truly heartbreaking as next year was completely planned to be such an positive time for him, and I take some solace from the knowledge that he listened to the completed album and believed that it was a masterpiece."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond referred to his collaborator as "a wonderfully brilliant musical genius", adding: "He was the heart and soul of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an immense part of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

Richard Norris from The Grid, also paid tribute, remembering Ball's "constant humor" and "steadfast support".

"Forming a partnership with someone is distinct from joining a band, the connection is incredibly close," he continued.
"That's how it was with us. We went through so many extraordinary, extraordinary, memorable experiences as a team. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Early Life

Born into a single-parent household in Chester in 1959, Ball was given up for adoption when he was a year and a half old.

He was raised in Blackpool with adoptive parents his caregivers, who changed his first name from Paul to David, alongside his sibling Susan, who was also adopted.

He encountered Almond at an art college in the late 70s, where they were both learning art. Fuelled by a mutual passion of a music genre, they formed Soft Cell the very year, and promptly recorded an extended play.

Creative Collaboration

The pair were an distinctive pairing: Ball was the reserved technician, hunched over his keyboard, while Almond was a charismatic showman, all sparkle and makeup; but they achieved a rare creative synergy.

Ball had developed a interest with electronic instruments after viewing Kraftwerk appear on BBC science show a popular series, and started to combine dark electronica to the catchy tunes Almond was composing.

Their signature song became the UK's second biggest-selling single of 1981, selling millions of copies worldwide. Alongside successful tracks by Gary Numan, contemporary bands and Ultravox, it helped paved the path for the synth-pop sound of the 80s.

The song was also included on their full-length debut, Non-Stop Erotic Cabaret, which spawned two additional high-charting singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the stand-alone single, Torch, which reached at the second position in 1982.

Soft Cell in the studio
The pair were developing new material right up until Ball's death

Professional Journey

Fame had its benefits. "I loved being able to afford my first home, having financial security and travelling, which might seem like a Miss World," Ball recently shared with a publication.

But it also presented challenges. "Newfound wealth allowed we could afford newfound drugs to relieve the monotony" of media interviews and television shows, Ball said.

"I know that's a common saying, but it's a cliché for a good reason, because it works for so many bands."

During the party-filled existence, the pair were also growing distant, but they managed to produce a second classic album - the unconventional, tense and fittingly named The Art Of Falling Apart.

They released another album, 1984's This Last Night In Sodom, before dissolving the group to concentrate on individual endeavors.

Almond proceeded to have a prosperous solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring collaboration.

Reunions and Final Projects

Soft Cell reunited in the early 2000s, producing the Top 40 record Cruelty Without Beauty.

After another break, they returned in recent years, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on 30 September, 2018.

Yet, they remained together, creating their fifth album, Happiness Not Included, during the 2020 restrictions.

Ball recently characterized the duo's new album as a homage to the New York club scene they frequented while making their initial records.

He added that his time in hospital had influenced the band's sound.

"I experienced strange recollections when I was in and out of hospital because I was on pain medication," he explained to a publication.
"The new songs are a electronic representation of the noises in my head from that time.
"Simultaneously, it's about the times we got up to in the 1980s."

The last versions were completed only a short time before Ball died. It is due for release in the spring of 2026.

JS
By

Jeffery Sharp

Tech journalist and sustainability advocate exploring the intersection of innovation and environmental consciousness.

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